So it’s been a while and among the stuff
that’s been happening was a curious encounter with Morris dancers.
Now I had never held particularly strong
views on Morris dancers, unlike some. I was happy enough that they’re about on bank holidays keeping the old folkways alive
and making small children cry. It
pleased me that there is a serious schism in the Morris dancing world between
those who see it their duty to keep the moves pure and exact to those written
down a hundred and a bit years ago and those who believe that Morris dancing is
a fluid living thing that moves with the times.
Bit like those interminable arguments about grammar. And while I like folk music, a lot, I have
never been tempted to get involved with all those sticks, bells and hankies.
My attitude has hardened. Let me elucidate.
The time, a few months back, a Saturday.
The place, the pleasant if alarmingly
well-off Thames side town of Abingdon. To be precise, a pub at lunch-time.
We were meeting people and had scouted out
places for lunch and this seemed pleasant with a cobbled courtyard and
extensive and not too, for Abingdon, expensive a menu. But when we returned, we found it filled with
Morris dancers.
It seemed that there was some get-together
going on and so every Morris dancer in the South had descended on Abingdon, and
then onto this pub for lunch. Well, we
weren’t in a hurry and were hungry and hey, they were only Morris dancers. It would be fun.
Now it turns out that there are two things
we did not know about Morris dancers. The
first is that – like toddlers – they are constantly restless, always moving and,
unless gently persuaded otherwise, liable to start hitting each other with
sticks. They also have no volume control. If two Morris dancers meet for the first time
in a year, they do not shake hands or hug and talk wryly about time passing or
the snows of yesterday. No. What they do is stand at either end of a pub
lounge and shout to each other with that dispiriting heartiness. that middle
class and middle aged men with beards and pot bellies like to indulge in.
The other thing concerns the thing we all
do know about Morris dancers. They wear
bells on their trousers. But what only
becomes apparent if you are in a pub full of Morris dancers who never stop
wandering around the place, is that these bells are loud. Very loud.
Very very loud. If you would care
to think of a loud thing, they are louder.
The practical upshot of which was that every time one walked past our
table, all conversation was completely drowned out. And as aforementioned, walking around is what
Morris dancers like best after dancing, hitting each other and shouting.
At first I was inclined to be
charitable. They’re having fun, it’s
better than loud sports commentary or those fruit machines that unexpectedly
explode into noise just as someone is finishing their story, even Morris
dancers may take their luncheon. Then I
noticed that the bells were not, as I had supposed, sewn onto their trousers
but were in fact attached to a sort of mini cricket pad which was attached to
the leg with Velcro. In other words, it
would have been a matter of a moment for the dancers to remove their bells and
so make do with shouting at each other. But
no. The bells had to stay on despite the
genuinely surprising noise level they produced.
My charity died as swiftly as it does when I see a chugger approaching.
Still, like the Ring Cycle, it had to end
some day and they departed to return to their primary task of boring adults and
scaring children, leaving us in what can only be described as suffering from serious bellshock.
And that is why I will never again gaze upon a Morris dancer with
kindness in my eye.